RJ Writing Ink

Spider-Man: Across the Spiderverse Spoiler-Free Review

Five years ago, Phil Lord and Chris Miller blew the world away with Spider-Man: Into the Spiderverse. That movie was a watershed moment, serving as a love letter to Spider-Man and pushing the boundaries of what can be done with animation on the big screen. After five years of waiting, we’ve been blessed with the long-awaited sequel, Across the Spiderverse. It would be an understatement to say that it surpassed its already stellar predecessor. If Into the Spiderverse took Spider-Man to the sky, then Across the Spiderverse brought things into the stratosphere!

The movie’s so good that I can’t be content with writing a single review for it. Therefore, I’m splitting things in two. Keep reading here for my spoiler-free review, or click here to read my spoiler review for the movie. 

Miles Morales Continues to Write His Own Story

More than a year has passed since the events of Into the Spiderverse, and Miles Morales has grown further into his role as his Universe’s Spider-Man. Like many Spiders, though, he struggles with the ever-present problem of balancing his personal life and his job as the webhead. It also doesn’t help that he misses his fellow Spiders, especially Gwen Stacy. When a new, seemingly joke villain emerges, Miles finds himself dragged into a Universe-Hopping adventure that will test him like never before. Except it’s not just the villain he has to fight but the people that are supposed to be on his side.

Of course, we already knew that from the trailers, right? 

Once again, it’s great to see this version of Miles Morales back on the big screen, and he continues to prove why he’s so great as Spider-Man. Considering how this film contains hundreds upon hundreds of Spiders, that’s saying something! He’s far more confident in himself and his ability to be the hero, to the point where he uses his powers to surprise everyone around him continually. However, he’s also struggling with keeping his identity a secret from his parents. He desperately wants to tell them, but his counterparts tell him this is a bad idea. It’s not what Spider-Man does; bad things happen when they go against this. 

Herein lies the central conflict of the film, and it’s something that I adored seeing being put into practice: going against the grain and defining one’s own story. 

Can a Spider-Man Defy Canon and Get Away With It?

Almost every incarnation of Spider-Man or Spider-Woman has several defining moments they share across every reality. They get their powers, lose someone important that inspires them to be heroes, and face several other tragedies. Like many fans worried after seeing the trailers, Miles discovers he may lose his Dad. (It’s made pretty obvious, so it’s not a spoiler!)

The film shows how tragic loss seems so ingrained into the concept of being Spider-Man, to the point where fans expect it to happen. The idea of a Spider being able to avoid a tragic loss that defines them further seems so inconceivable that reality itself can’t seem to accept this. Miles response to that, though: “Nah. I’m gonna do my own thing.” And I support him every step of the way.

I don’t know about everyone else, but after watching No Way Home, I’ve become fed up seeing Spider-Man suffer so much in every incarnation. After everything the Spiders do across the multiverse, it seems almost cruel to continue to see them lose loved ones in the most painful fashions. However, despite everyone saying otherwise, Miles thinks he can change things for himself, and I wholeheartedly support this idea. It would be almost unprecedented in the history of Spider-Man if he pulled it off and opened the door to new storytelling possibilities.

That, and I think defying destiny and winning, is metal as heck.

A Masterpiece of Animation and Storytelling

Whatever else I need to say about Across the Spiderverse can be expressed in my spoiler review. You need to know that this film is too good for a mere five-star rating system. The fantastic story is merely the beginning. There’s also the incredible animation and artwork put into this film. The movie had more than a thousand people working on all aspects of it, and it shows how gorgeous everything is. Every frame of the film is good enough to be framed as a painting in an art museum. 

That’s just the world’s background, too. Many of the characters are meant to be visually different from each other, a reflection of the dimensions that they come from. The contrast becomes more apparent when said characters leave their home dimensions to interact with each other. Even a few live-action characters are thrown into the midst, giving the film an almost Roger Rabbit feel at times. I’ve always been a fan of combining visual mediums, so seeing 2D animated characters interact with CGI characters or live-action actors was a delight to witness.

What all of this means that the people working on the film had to work with multiple different animation styles. Six in total, apparently. Such a task would seem too jarring or impossible for other films to pull off, but Across the Spiderverse does just that. And it works! Seeing it flow together is a testament to what animation’s capable of as time goes on. 

This Film is Spider-Man’s ‘Empire’

The one gripe I know some fans will have is regarding the ending. The movie ends on a big cliffhanger with many things unresolved and the big bad yet to be stopped. So, if you’re going into this film and expecting everything to be resolved by the time the credits roll, you will be disappointed.

Thahkfully, this isn’t the end of the story. It’s already been announced that there will be a third film, Beyond the Spiderverse, and it’s release is close than you think. From what I hear, it’s meant to come out in March 2024, less than a year from now. In other words, we won’t have to wait long.

They say that out of all the Star Wars films ever made, The Empire Strikes Back was the best one, and that ended with many significant revelations and plot threads needing to be resolved. In this regard, Across the Spiderverse is Spider-Man’s ‘Empire.’ Much like that film, it’s fit to be called one of the greatest films of all time. This movie will be included in the Congressional Archives one day; we must preserve it for future generations! If you still need to see it, make plans to see it. It will be time and money well spent!

I Give Spider-Man: Across the Spiderverse a…I can’t even score it. It’s beyond perfect.

Spider-Man: Across the Spiderverse Spoiler Review

Five years ago, I was lucky to get to see Spider-Man: Into the Spiderverse on the big screen, and it became my definitive Spider-Man film. Then we got word about the long-awaited sequel, Across the Spiderverse, coming out in time for Summer 2023. So, naturally, I bought a ticket to an opening night screening, then left to watch it after work. Then, as if mirroring the infamous “Parker Luck” that afflicts the webhead, I found out I bought tickets to the wrong movie theater. Rather than bemoan my bad fortune, I took this as a sign that the film would be great and exchanged tickets for the theater I was at. The film wasn’t just as good as the first one; it somehow did even better. 

I’m RJ Writing Ink, and if you’re here, that means you’ve seen the movie and want to hear my spoiler review of Across the Spiderverse. If not, then go read my spoiler-free review of the film. 

Gwen Stacy Takes On a Larger Role

One of the most surprising aspects of this film is that it starts focusing on something other than Miles Morales. Instead, Gwen Stacy and her world serve as the setting for the opening that goes on for close to twenty minutes. Some people might complain, but I don’t for three reasons.

Firstly, we get to see Gwen Stacy’s Earth, and it’s fantastic to look at. Her Earth evokes a lot of soft colors that can best be described as akin to watercolor or pastel paintings, visually distinct from Miles’ world and all the more interesting for it. I said in my spoiler-free review that the film uses multiple animation styles for each universe visited. Each of them alone is like a painting in motion, but the moments where the characters crossover from their worlds make them stand out more. The opening villain, a Vulture from a Renaissance world, is drawn in the Da Vinci style a la Vitruvian Man. It shouldn’t work in Gwen’s world, but it does!

Secondly, the extended prologue makes the film feel structurally similar to the comic books that inspired it. Many crossover events in Marvel and DC Comics will have a prologue comic that sets everything up for what comes next. It serves as a good way of establishing the premise and the stakes of what’s about to happen before diving into the meat of the story. The fact that the film follows this narrative framework also hints at how the movie’s structured. Across the Spiderverse is, for all intents and purposes, a comic book crossover/miniseries in animated form, which only enhances its narrative.

Gwen Starts to Crack Under the Stress

Lastly, the prologue gives us a better look at Gwen Stacy, one of my favorite characters from the first film. For the longest time, Gwen Stacy got to being Spider-Man’s friend or love interest, who met a tragic end. It wasn’t until recent years that an alternate version of her became a Spider hero, bringing her back into the spotlight. I enjoy seeing her have this rebirth and come into her own as a hero. Sadly, as we learned in the first film, this cost her her best friend, Peter, and the unknowing enmity of her Dad, who’s convinced Spider-Woman killed him. It’s bad enough that she already feels guilty for not realizing Peter got bullied so bad he thought turning into the Lizard was the only way to fix things; a way to make her feel more guilty, Captain Stacy!

All this stress comes to a head in the prologue when Gwen can’t take it anymore and breaks that cardinal rule of being a Spider-Hero: she reveals her identity to her Dad. And Captain Stacy reacts in the worst way possible by still trying to arrest her for something she didn’t even do. She’s so heartbroken by this that when Miguel O’Hara and the Spider Society leave to bring Vulture back to his reality, she goes with them. Thus, Across the Spiderverse begins in earnest.

The Pressure’s Starting to Get to Miles, too.

Back in Miles’ world, he’s been Spider-Man for about a year-and-a-half now, and he’s gotten good at it. He’s fighting his own villains, becoming popular in New York, and perfecting his powers. Everything’s come up for Miles…except it isn’t. He’s starting to deal with the downsides of being Spider-Man. 

Like many other incarnations of the hero, Miles struggles to balance his life as a superhero with his life as himself, and it shows. His grades start slipping; he’s making excuses to his parents that he can’t explain; and worst of all, he can’t forget the other Spiders. It’s even shown that his motivation for school is to become a scientist so he can find a way to reunite with them since he thinks they’re the only ones who can understand his plight. 

If you know Spider-Man, then you know that the role’s both a blessing and a curse. On the one hand, the powers are incredible, and you get to save countless people. On the other hand, it hampers their ability to enjoy life. I know it’s written that way to help make Spider-Man feel relatable to people in the real world.

Having a hero who’s imperfect and makes mistakes makes him all the more inspiring; that’s how it’s always been. However, after seeing the end of Spider-Man: No Way Home, I started to doubt that. I mean, MCU Peter did so much to help save his universe, and he wound up more alone than ever. It gets to the point where the concept of having Peter endure tragedy starts to seem cruel. And as we see in the film, as Miles leaves his Earth behind, the young hero refuses to accept that.

They Took a D-Rank Villain and Made him Terrifying.

Another big thing to discuss is one of the leading big bad of the film, the Spot. In the comics, the Spot’s someone with the power to generate portals on his body that he can use to teleport anywhere. It’s a useful power in the right hands, but the Spot’s so inept he’s treated like a joke. And while he initially gets treated the same way in the film, that proves to be a huge mistake.

For one thing, the Spot holds a massive grudge against Miles. He was one of the Alchemax scientists working on the Kingpin’s collider, and its destruction turned him into this grotesque freak of nature and ruined his life. So, he’s got natural beef with Spider-Man and wants to be taken seriously, but he gets written off as “villain of the week.” He’s not happy about that; remember, he was a scientist. So when he figures out he can use his powers to travel across the multiverse, he uses them to their full potential.

As the film progresses across the multiverse, we see the Spot unleash the true force of his powers, and it’s terrifying. He continues to gain more control as he goes, and as he does so, he becomes progressively less human. It gets to the point where, by the film’s end, he’s animated as this black-and-white, demonic-looking entity. That’s the kind of thing that could give most people nightmares!

The story’s moral here is that, in the hands of skilled writers, even a character treated like a joke can become something downright terrifying. People working on future superhero movies should take notes on this! This is how you make a good villain!

The Spider Society: Ultimate Fanservice or Heroes with a Dark Side?

Once the film leaves Miles’ Earth behind and travels across the multiverse, we finally see the Spider Society in full force. The results are both fantastic and also concerning.

Firstly, the fantastic and spectacular parts of the Spider Society. Formed by Miguel O’Hara after the events of the first film, they’re dedicated to keeping the peace across the multiverse, or spiderverse, and it includes Spider-People from almost every incarnation of the character’s decades-long history. There are plenty of original versions, but the best part is that we see the return of many past incarnations that fans have met. For instance, we get a quick cameo from the Insomniac Games version of Peter Parker at one point. At another point, we get a line from the Spider-Man from The Spectacular Spider-Man TV show that aired on Kids WB and later Disney XD. This is the first time in years that fans have seen these characters’ versions, and it serves as some great easter eggs.

The Spider Society’s job of protecting the multiverse consists of two main goals: retrieving anomalies and protecting the canon. As it turns out, Kingpin’s collider wound up shunting people all over the multiverse, with many of them being villains who wreak havoc, like Renaissance Vulture. They have to round them up and return them to their worlds to keep the spiderverse from breaking further. It seems like a noble goal, and it is. However, as Miles quickly learns, there’s also a darker aspect. A part of that involves the factor of being Spider-Man that fans prefer to refrain from actively thinking about. 

If You Let Bad Things Happen on Purpose, Are You Still a Hero?

For sixty years, the history of Spider-Man has been one of triumph and tragedy. Tragedy was why Spider-Man became a superhero in the first place; that doesn’t change across every incarnation. First, they lose a loved one who inspires them to be heroes. Then, they end up losing another loved one, which makes them further commit to being a hero for the good of all. That’s how it always seems to go, and fans seem to accept that. But Across the Spiderverse plays with this trope and deconstructs it. It makes us look at something we’ve taken as a fact of being Spider-Man and ask, “Does it really have to be?”

As Miles discovers what the Spider Society already knows, there are immutable, fixed events in each of their histories. One of them is losing a friend on the police force, someone who’s either related to them or related to a loved one. And when Miles travels to Spider-Man: India’s world, he ends up saving the father of India Spidey’s girlfriend, who happens to be a Police Captain. That…wasn’t supposed to happen, though. Later, Miguel O’Hara tells Miles that doing things like that goes against the established canon of being Spider-Man, and could lead to events that could destroy an entire universe. We’ve seen it before in Marvel’s What If…? with Doctor Strange, and it could happen to them, too. 

Miles Refuses to Fall in Line

As Miles realizes, that means that the same thing will happen to his father, whose about to become a Police Captain, in two days. The Spot will attack, and his Dad will end up dying. He rightfully wants to prevent that from happening, but almost everyone else in the Spider Society won’t allow him to return home to stop it. Not Gwen, and not even Peter B. Parker, his mentor! They accept it as a cost of being Spider-Man, even though they hate it. Miguel refuses to let it happen because he tried defying a canon event, and it destroyed an alternate version of his reality. 

On the other hand, Miles refuses to accept this and attempts to defy his so-called fate. And you know what? He’s right to do so.

A Spider-Man that Goes Against the Grain

There have been hints of it sprinkled across this, and the previous film, but this version of Miles Morales might be different from other incarnations of Spider-Man. As it turns out, there’s a reason for all of this, one that Spider-Man 2099 brutally reveals. The spider that gave him his powers wasn’t from his world but one Alchemax brought from another universe. As a result, that universe never got its Spider-Man, while the Peter Park of Miles’ world died protecting Miles. Simply put, Miles Morales was never meant to become Spider-Man. He’s an anomaly that Miguel wants to fall in line with, or he’ll correct it himself.

At this point, Miguel’s dangerously close to being a villain, or at least someone who, despite saying he is, isn’t a good guy. He’s willingly allowing bad things to happen to other people because he thinks it’s the only way to keep the multiverse intact, but he’s letting his past trauma cloud his judgment. If Miles is an anomaly, who’s to say his story will turn out like every other Spider-Man? He could end up being the one version of Spider-Man that can break the canon, and maybe that “canon” isn’t as set in stone as Miguel thinks.

This isn’t mere wishful thinking, either. When Miguel banishes Gwen back to her world for standing up for Miles, she returns home to find her Dad a wreck. More to the point, though, she discovers that, having had time to cool off, he realizes he can’t arrest his daughter. So, he quit his job as a police captain. As a result, he could avert what was supposed to be his canon death. To Gwen, this is proof that Miguel might be wrong. That the Spider-People can change their fate. 

An Epic Cliffhanger and Uncertain Future

Sadly, we won’t know whether or not Miles can change his story since the movie ends on a cliffhanger. However, before the film ends, it also shows the consequences of what could happen when going against the “canon.” When Miles thinks he’s returned to his own world in time to save his Dad, he learns that, to his horror, he ended up on the wrong planet. He got sent to the dimension where the spider that gave him his powers came from, which was a nightmare. 

His Uncle’s still alive in this world, but New York’s controlled by criminals, and his Dad is dead. Worse, this world’s Miles has taken up the mantle of the Prowler. Meanwhile, Gwen, now fully against Miguel’s ruthless actions, forms her own team of Spider-People made up of allies made in the films to find Miles and help him. And that’s where the movie leaves off.

I usually don’t like cliffhangers, but this might be an exception to that rule. When the credits started to roll, I couldn’t stop clapping and cheering, and neither could the audience around me. This was such a huge twist! Such a fantastic story and an amazing ending!

Pushing Spider-Man to New Heights

I already said it in my spoiler-free review, but Across the Spiderverse did the impossible. It took everything good about Into the Spiderverse and cranked it up to eleven. I was practically on cloud nine as I drove home! The best part is that we can learn what happens next quickly. The next film, Beyond the Spiderverse, is set to come out in March 2024. And given what the thousand+ people who made this film did, I’m hoping the finale will be one for the history books. Spiderverse has changed the game for animation, and the world’s all the better for it. I can already see it winning many Oscars next year, and I hope the sequel is even better.

What do you guys think, though? Is this one of the greatest films ever made? Is anything worth nitpicking about it? Let me know in the comments below.

I Give Spider-Man: Across the Spiderverse a…I can’t even score it. It’s beyond perfect.

A Review of Spider-Man: Into the Spider-Verse

Years from now, when I look back on the year 2018, I want to remember it as the Year of the Superheroes. This year saw an unprecedented explosion of superhero films. I even plan on covering them all after Christmas. But this is for me to talk about what is possibly the best superhero film of the year, Spider-Man: Into the Spider-Verse.

I thought that Avengers: Infinity War was going to be the cherry on top of a sundae of superhero movies. Though after seeing Into the Spider-Verse yesterday, I realized that it was the hot fudge; Into the Spider-Verse was the cherry on top. Saying “I loved it” would be an understatement. So as I was driving home from the theater, I knew I had to write something about it. I actually tried to last night, but it wouldn’t save. It was already late, so I couldn’t even put up something for my 25 days of Christmas series. My bad

I will get back to the Christmas thing today with a double feature to make up for it. For now, I want to talk about why I think you should go see this film!

The Plot

This is a bare-bones summary of the plot. MINOR SPOILERS AWAIT YOU!

The first thing you should know is that this film is an origin story for a new Spider-Man, Miles Morales. Aside from being incredibly smart, Miles is an otherwise normal teenager. All that changes once he gets bitten by the spider and gains spider-powers. Just as starts to figure out his new abilities, he stumbles across his world’s Spider-Man who’s trying to stop the Kingpin from activating a Super Collider capable of ripping apart reality. While he manages to temporarily take it offline, Spider-Man is tragically killed in the attempt. Before he dies, though, he meets Miles and, sensing he has similar powers, entrusts him with the key to stopping the Collider for good.

As New York mourns for the loss of its hero, Miles is confronted by an older, alternate version of Peter Parker. As a result of the Super Collider, multiple incarnations of Spider-Man were pulled from their realities into Miles’, and unless they get back home, they’re going to die. These Spider-People (who I will refer to Spiders from here on out) must team up to stop the Kingpin from tearing reality apart while also helping Miles embrace his destiny as the next Spider-Man.

The Good

Putting aside the amazing animation, references to Spider-Man lore, and the plot, the main draw is the characters. 

As I said before, this movie is an origin story for Miles Morales as he becomes the new Spider-Man. In that regard, he is very much a fish out of water, even before getting his powers. His parents enroll him in this private academy because they know he has the potential for greatness. Miles would rather be a normal kid, though, and prefers hanging out with his Uncle Aaron and working on his graffiti. 

Miles never asks to be unique or his powers, and while he wants to live up to the Spiders expectations, he doesn’t think he has it in him. As a result, he has a hard time getting his powers to work. A tough time. But once he steps up to the challenge, he is just as capable a hero as the other Spiders.

A Familiar, Yet Welcome, Plot

I’ve seen this kind of story before: normal person gets thrust into an important role, tries to live up to it, fails at first, but eventually turns into the badass everyone knows he can be. Regardless, I still enjoyed watching Miles’ growth because it manages to be told interestingly.

On the other side of the spectrum, we get the alternate Peter Parker. Unlike the one in Miles’ universe, this one has been Spider-Man for twenty years, but he’s kind of washed-up from it. He has already lost his Aunt May, and he and MJ split up because he was too worried for her safety, leaving him at rock bottom. He even cries in the shower with his costume on.

This Peter Parker has apparently lost the drive to be Spider-Man and hates how his life has turned out. He’s so convinced that his life is not worth going back to that when it looks like Miles won’t be ready, he is willing to stay behind to shut off the Collider even though that means he’ll die.

He ends up becoming the very reluctant mentor to Miles in the film, and through him, he inadvertently is able to pick himself out of his slump and reignites his drive to be Spider-Man and turn his life around. It’s a reminder of the positive effects that a good mentor-student relationship can have on both sides. Hopefully, we will see more of his personal life in future films.

The Bad

With every good thing, there is usually a bad thing. This film is amazing, but it did have a few things that bugged me.

In hindsight, I realize that most of this film is not original. As in, it is based on the countless stories and incarnations of Spider-Man over the years. Miles’ origin in the film is similar to his origin in the comic books, down to watching his world’s Peter Parker die in battle. 

The Spider-Verse concept has also been done before. Spider-Man has traveled to alternate realities on several occasions in the comic books. He’s even teamed up with other Spider-Men several times, and not just in the comics. He’s done it in TV shows and video games too. 

What’s more, since the focus is mainly on Peter and Miles, the other Spiders do not get as much time to shine. They do get their own moments in the spotlight, but the focus is on these two.

Take Spider-Woman, AKA Gwen Stacy/Spider-Gwen. If you know your comic history, you know the original Gwen was Peter’s girlfriend. What happened to her? Look up the ending to The Amazing Spider-Man 2. That’s what happened to her in the 1970s. 

Spider-Gwen

This version of Gwen ended up getting the spider-powers instead of Peter. She only appeared four years ago, but she’s already proven fairly popular with fans. That just makes it more of a disappointment that her character doesn’t get more time in the spotlight. She’s the first of the Spiders that Miles meets, before he even gets his powers, actually. She doesn’t seem to get as many moments, though, as Peter and Miles do. Plus, there is a sub-plot about a romance brewing between Gwen and Miles, though nothing ever comes of it onscreen. With sequels already planned, this hopefully be explored some more.

Then we have the other three Spiders: Spider-Ham, Peni Parker, and Spider-Man Noir. They don’ have as much of an impact on the plot other than providing backup in fights. They still get their moments to shine, but the film doesn’t have enough time to develop their characters. Their vignettes (which each Spider-Person gets) are even shown simultaneously to save time. Missed opportunity, as Spider-Man will be interesting no matter what version it is. Or will they?

The Buzz About Peni Parker

Outside of Peter Parker and Gwen Stacy, I think the Spider that has the best chance of succeeding in a spin-off film is, ironically, the one with the least written material: Peni Parker. Of all the Spiders, she’s generated the most buzz. See?

Next to the Goku float at Macy’s Thanksgiving Day Parade, I think this is the best example of anime going mainstream. 

She doesn’t have that many appearances in comic books, but her story is pretty interesting. She’s from the 32nd century, she doesn’t have powers, uses a mech powered by a radioactive spider that helps to power it. It’s like what would happen if Spider-Man met Gundam. Since she’s proven to be so popular, I think she has the best chance at a spin-off. I want to see a Spider-Mech fight crime. I just hope fans don’t go overboard with fan art.

As for Spider-Ham and Spider-Noir, I’m not so sure. They are interesting characters, but I don’t think they could get their own spin-off films. They seem to work best when used as part of a group. Spider-Noir’s dark and serious attitude is played off for laughs, while Spider-Ham.. well, he’s just plain silly. Don’t underestimate him, though. He’s still Spider-Man (sort of).

The Conclusion

In conclusion, I still think that this movie is awesome and the best superhero film of the year, regardless of the faults. Yeah, the story is not exactly original, but since this is based on a comic book, that can be expected. Fans don’t mind, myself included. As for the lack of screen time the other Spiders get, that can easily be corrected in sequels or spin-offs, which I hear Sony is already playing. This may be the best Spider-Man film that we have gotten thus far, and that’s saying something!

One reason why I liked this more than even Infinity War is because of who it focuses on. Spider-Man is Marvel’s best hero for a reason. It’s not because he’s the strongest or the smartest, but the one that fans can emphasize with the most. He’s the most human of them. 

More than that, though, every time I see him, I am reminded of the lesson behind the character. At the memorial for the Peter Parker of Miles’ world, MJ says it, and Miles echoes it at the end of the film: anyone can be a hero, if they’re brave enough and willing to stand up for what they think is right. That’s the lesson that Stan Lee and Steve Dikto taught us.

Remember the Creators

Speaking of which, this film marks the first Stan Lee cameo since his passing last month. Steve Dikto had died earlier this year, and fans are still getting over the fact that Stan Lee is now gone as well. I just hope that, wherever they are, they are looking at the movie and feeling proud of what they created. The world wouldn’t be the same without Spider-Man in our lives, and this film reminds us of how much he means to us.

If you haven’t got any plans to see this film, then I recommend that you make them. It is worth the money and time to see the best superhero movie of the year.

I Give This Film a 5/5

Click here to see my reviews for various films.